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3D Creative Summit 2013

Last week’s inaugural 3D Creative Summit saw 3D professionals from around the globe descend on London’s BFI for two days of exclusive seminars and screenings. A wide variety of topics were covered including a presentation from Ang Lee on his 3D success-story Life of Pi, DreamWorks Animation’s Phil ‘Captain 3D’ McNally talking about their latest hit The Croods and Sky3D’s John Cassy discussing the future of his 3D channel.

But the highlight of the Summit was a presentation from Wildscreen Festival patron Sir David Attenborough. Speaking to a packed auditorium Attenborough used his experiences with filming Natural History in the 3D format to talk about the advancements in the technology. 

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Attenborough’s first foray into 3D was with Bafta wining Flying Monsters where his approach was to figure out “What can we shoot that won’t run away” to deal with the, at the time, cumbersome 3D camera and rig systems.

The inability to use long telephoto lenses in 3D filmmaking led Attenborough to his next subject matter; “We had to think of something that was going to be real animals but you could get close to them. Penguins don’t give a damn, they just stand there” and Penguin King 3D was born.

Anthony Geffen from Atlantic Productions explained how Attenborough really helped them push forward the 3D technology “David had thrown us a curve ball asking us to film underwater (in 3D) … we had to relearn the grammar for underwater filming”.

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Kew Gardens
brought its own complications and the production used over nine different systems to capture the beauty and depth of the variety of plants existing within Kew. Attenborough enthused over the learning process that he and the production teams involved in all these projects had gone through; “Close ups are the really exciting things in 3D, and we’d learnt how to do time-lapse in 3D … we learnt especially about macro 3D photography”.

Attenborough and Geffen, explained everything they had learnt from previous productions all came together for Galapagos; CGI, macro, time-lapse and underwater. It also helped the two units who filmed over a five month period that the animals were incredibly tame “You can have a crew of ten people and they’ll just continue their mating ritual”.

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An obvious convert to 3D wildlife photography Attenborough commented that “The essence of 3D is that it is of mind blowing quality” but also noted “It’s the story that matters and not the 3D … if you make a film that’s boring in 2D it’s going to be boring in 3D”.

Attendees to the session were treated to a sneak peak of Attenborough’s next 3D programme Micro Monsters, a three part series which uses pioneering macro technology to discover the delicacy and drama of the insect world.

Natalie Samson
3D&2D Factual Producer / AP
Twitter: @nattysamson

    • #Wildlife Films
    • #Wildscreen Festival
    • #3D
    • #David Attenborough
  • 1 month ago
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Wildscreen Winners at DC Environmental Film Festival!

If you’re in DC this week, we’ve got a treat for you! Three of our Panda Award winning films will be screening on the 24th March, read on to see what’s in store…

The Jury’s Special Prize at Wildscreen Festival is presented to a film that the jury feels deserves special recognition. In 2012 it was awarded to the stunning ‘Hummingbirds – Jewelled Messengers’ by Terra Mater Factual Studios, for showcasing amazing cinematography, and revealing new and unexpected behaviour. With the help of scientists and field biologist, this spectacular film was shot over the course of 90 days between September 2011 and January 2012, and was filmed in three different countries: The USA, Ecuador and Brazil.

Writer, director and producer Paul Reddish said this of his reasons for making the film; “Hummingbirds are the ultimate flight animal in the world, they hold all the superlatives and are simply gorgeous to boot!”

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Using ultra high-speed HD cameras and the latest remote systems, the film takes you inside the remarkable lives of hummingbirds, revealing how their evolution has been driven by the plants they pollinate.

The film introduces such precision-flying champions as the ruby-throated hummingbird, whose remarkable manoeuvrability in flight includes the ability to hover and even fly backwards, with up to 200 wing beats per second.

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Walter Köhler, CEO at Terra Mater Factual Studios, had this to say of the film’s success at Wildscreen; “I am most delighted. This is, without doubt, the most crucial prize of my career so far. To receive this high honour, especially in Bristol, home of BBC’s Natural History Unit, proves to me that Terra Mater Factual Studios are on the right track.”

Catch ‘Hummingbirds – Jewelled Messengers’ on Sunday 24 March at the Environmental Film Festival in The Nation’s Capital, and check out a clip here.

    • #Wildscreen
    • #Wildscreen Festival
    • #Wildlife Films
    • #wildlife
    • #Panda Awards
    • #Natural History Films
    • #natural history film
    • #nature
    • #nature film
  • 2 months ago
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Wildscreen Winners at DC Environmental Film Festival!

If you’re in DC this week, we’ve got a treat for you! Three of our Panda Award winning films will be screening on the 24th March, read on to see what’s in store…

Hippo: Nature’s Wild Feast was awarded the Disneynature Innovation Award at Wildscreen 2012 for its fascinating new way of exploring the less appealing aspects of life and nature in the African bush! We caught up with the shows producer, Sarah Peat from Tigress Productions, to get the lowdown on how you go about spending time with a 1 tonne hippo carcass…

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We arrive in Zambia’s South Luangwa Valley in October at the peak of the dry season. The valley is a haven for wildlife. Lions, leopards, hyenas, elephants, crocodiles, baboons, vultures and many other species congregate near the river – one of the only sources of water in an otherwise arid habitat.

October in this valley is known as suicide month for its crushing heat. It’s 40 degrees Celsius by late morning with ground temperatures reaching 60 degrees. Everything is dictated by heat. The dead hippo lies bloating in the sun. We have to work quickly to set up and start filming, otherwise there’s a very real threat that the carcass will explode as the heat expands gases trapped inside.

It takes three days to set up our kit. We dig holes into the riverbank to house our remote cameras, trenches are hacked out of the hard dry earth to bury camera cables and keep them safe from hyenas’ jaws. We move two tons of camera and sound kit between the river bank and the studio tent.

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We start filming late afternoon on the third set-up day. The images from the river bank are streamed live to our website in the UK. As the sun goes down, we’re just starting to see animals approaching the site when the cameras freeze.  We have no control over them from the studio tent. Its dusk, a time when many animals become active and the cables and kit we need to look at are out at the edge of the river bank. Our two technicians, accompanied by armed scouts, identify the problem. A key piece of kit has malfunctioned. Fortunately, we have a replacement, which is rigged up in the dark. After a tense hour, we’re back up and running.

It’s a nail biting few days while we wait to see whether any carnivore strong enough to breach the hippo’s thick skin will arrive at the scene, hungry enough to do so. By now, the skin on the carcass is stretch taught with bloating; the smell is indescribable.

But when the action does kick off, it’s astounding.  When a clan of hyenas finally breach the carcass, Africa’s astounding food chain kicks into action. I’m torn between watching the studio tent screens as armies of crocodiles invade the carcass site and watching the reactions of our animal experts and wildlife guides and scouts. They have spent years observing wildlife but they’ve never witnessed anything like the action our cameras are capturing. Their exhilaration is palpable.

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The price of working in this location at this extraordinary time of year is the heat. It takes its toll on both crew and kit. Our cameras start shutting down as temperatures peak at noon. The satellite transmitting our live feed struggles too. We decide to stop filming for 2 hours in the worst of the heat to give the kit a rest. The carcass should be safe because even animals avoid this searing heat, seeking shade and resting until everything cools down in late afternoon.

It takes just over a week for the carnivores and scavengers of South Luangwa to convert a 1 tonne hippo into little more than dried hide, stomach compost and a few large bones. In the coming days, the rains will arrive and transform this landscape, bringing a food bonanza in the form of grasses and leaves to the valley’s herbivores. The perfectly honed food chain continues.

You can catch Hippos: Nature’s Wild Feast at the Environmental Film Festival in the Nation’s Capital on the 24th March, and watch a trailer of it here.

    • #Wildlife Films
    • #wildlife
    • #Natural History Films
    • #natural history TV
    • #natural history
    • #Nature Documentaries
    • #nature
    • #Wildscreen
    • #Wildscreen Festival
  • 2 months ago
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Wildscreen Winners at DC Environmental Film Festival!

If you’re in DC this week, we’ve got a treat for you! Three of our Panda Award winning films will be screening on the 24th March, read on to see what’s in store…

Winner of The Nature Conservancy Environment & Conservation Award at Wildscreen 2012, Saving Rhino Phila tells the tale of Phila, who survived being shot nine times on two separate occasions in attempts to kill her for her horn. A powerful story, it identifies the individual struggles in the ongoing battle to keep the species from falling prey to the persistent attacks by poachers.

Producer Oloff Bergh explains the initial motivation for the film; “As a team of passionate wildlife filmmakers and conservationists, we were desperate to bring the world’s attention to the mass slaughter of South Africa’s rhinos…. Phila’s tragic ordeal presented the ideal opportunity to tell one rhino’s story in a personalized yet compelling and informative way.”

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Saving Rhino Phila set out to educate people through the use of dramatic recreations and the compelling struggle for survival against the odds by heroine Phila. According to director Slater-Jones, the film is meant to “Hit the audience between the eyes” and hopefully stem the tide of demand for rhino horn on an international level.

NHU Africa’s commissioning editor and creative director Vyv Simson had this to say of the film winning a Wildscreen panda; “Winning a Panda Award at Wildscreen is about as good as it gets in this business. I’m so pleased and so proud of everyone who has worked so hard. This award has placed the whole of the South African wildlife film making industry centre stage.”

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The film was commissioned by NHU Africa, produced by Triosphere and directed by Richard Slater-Jones.

You can catch it on Sunday 24th March at the Environmental Film Festival in the Nation’s Capital, and you can also watch a trailer here.

    • #Wildlife Films
    • #wildife
    • #Wildscreen Festival
    • #festival
    • #Natural History Films
    • #film festival
    • #rhino
  • 2 months ago
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We’re reminiscing! Who remembers the fab preview screening of Disneynature’s Chimpanzee at Wildscreen 2012?
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We’re reminiscing! Who remembers the fab preview screening of Disneynature’s Chimpanzee at Wildscreen 2012?

  • 2 months ago
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slothville:

Here at Slothville we are in a seriously celebratory mood. A LITTLE BOOK OF SLOTH  has made the NY Times bestseller list. Go Sloths! The world is yours!

Amazing! See here for some more sloth action: http://www.youtube.com/watch?v=dHtQKNV21rQ&list=PL40C22B0BD53AA448&index=38
View Separately

slothville:

Here at Slothville we are in a seriously celebratory mood. A LITTLE BOOK OF SLOTH  has made the NY Times bestseller list. Go Sloths! The world is yours!

Amazing! See here for some more sloth action: http://www.youtube.com/watch?v=dHtQKNV21rQ&list=PL40C22B0BD53AA448&index=38

  • 2 months ago > slothville
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We love Sir David Attenborough! 

edenchannel:

Like if you love Attenborough!Brand new Natural Curiosities, Tuesdays 8pm.
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We love Sir David Attenborough! 

edenchannel:

Like if you love Attenborough!

Brand new Natural Curiosities, Tuesdays 8pm.

    • #sir david attenborough
    • #Natural History Films
    • #animals
    • #creatures
  • 3 months ago > edenchannel
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Hey newcomers, 

Take a look at the winner of the Wildscreen Festival 2012 BBC Newcomer Award.

http://www.youtube.com/watch?v=yNY2yaU4plg&list=PLumMA44RgiexEB28CU5GLZ7UGHbP4J8xj&index=18

    • #Wildscreen
    • #film
    • #wildlife films
    • #newcomers
    • #green oscars
    • #Panda Awards
    • #naturalhistory
  • 3 months ago
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Did you watch our patron, Sir David Attenborough’s new programme, ‘Africa’ last night? 

What did you think? 

    • #Africa
    • #David Attenborough
    • #wildife
    • #TV
    • #natural history TV
    • #film
    • #natural history
    • #BBC
    • #Discovery
  • 4 months ago
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New Year, New You

    • #New Year
    • #New Year's resolutions
    • #animals
    • #nature
    • #wildlife
  • 4 months ago > speciesofday
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